Books Arriving in December 2017

Currently being solicited in the October Previews for a December release.

PORTUGAL
By Cyril Pedrosa

Portugal__300

From the author of the acclaimed Equinoxes comes a return to roots that serves as spiritual renewal. Comics artist Simon Muchat is stuck. Suffering writer’s block, uninspired, vegetating as a school art teacher, he is losing direction and his taste for life, until one day he is invited to appear at a comics convention in Portugal, the country his family came from and which he hadn’t seen since his childhood. The experience proves cathartic. Even though he is not Portuguese himself and is a foreigner there, so many elements are familiar to him. Meeting its lively citizens, full of the zest for life, his distant yet welcoming family bringing back fond early memories, all prove reinvigorating, the breath of fresh air he so badly needed.

Based on his own experience, Pedrosa narrates this return to his roots in a deeply compelling and warmly human way. This is his bestselling graphic novel with over 100,000 copies sold in France and a winner of many prizes including Best Graphic Novel at the Angouleme Festival and FNAC Best GN.

9×12, 264pp., full color hardcover, $39.99, ISBN 9781681121475, e-book: $9.99

 

Now in Paperback!

A TREASURY OF VICTORIAN MURDER COMPENDIUM I
Including Jack The Ripper, The Beast of Chicago and The Fatal Bullet
By Rick Geary

SEP121147

In this first omnibus volume from Geary’s increasingly storied Treasuries of Murder: the first trilogy of murders that made up the very first volume of this series, Jack the Ripper as only he can narrate it, The Beast of Chicago about H.H. Holmes, possibly the first serial murderer with chilling methodical means and The Fatal Bullet about the assassination of president James Garfield.

“I came late to the Victorian Murder party, but I really like Geary’s just-the-facts-ma’am approach, and I’d love to read some of his earlier volumes.”

Brigid Alverson, Robot 6

6×9, 288pp., B&W trade paperback, $19.99 ISBN PB: 9781681121383

 

 

Advertisements

Daring to Include The Full Nude

This continuing excerpt shares behind the scenes material from NBM’s The Mercenary remastered editions.  To see all posts, click HERE.

Just as a well-proportioned young horse with good musculature, a tiger, or a peacock are instinctively beautiful to us, so too is the human body. This, intensified by sensuality, acquires extraordinary dimensions and for this reason a well-constructed, nude human body has always been a point of reference in art. To me, as a painter, it is fascinating to paint female nudes.

MERC

As an illustrator I have done many covers including partial nudes. On very few occasions were they fully nude and much less on covers for the USA where censorship did not allow it. Here, in Spain, with the advent of democracy, we went from an opaque, ecclesiastic censorship of everything, to the wildest and most widespread openness.

Given these circumstances, and as I had to call attention, if I wanted my samples to have a future, I dared to include a full nude.

 

The Penetration Power of a Projectile

This continuing excerpt shares behind the scenes material from NBM’s The Mercenary remastered editions.  To see all posts, click HERE.

1

As for the warrior, in principle he was nothing specific, just a character in these circumstances, so I didn’t put too much into him: partial body armor was less work and one supposes that it is enough if he protects himself with his shield. At that time, I already had experience drawing armor and all kinds of weapons, of which I am a big fan. Years before, in 1978, I had written and illustrated a monograph about this topic called Universal History of Weapons. In these supplements you can see some of the illustrations from that book.

2

For the sample, I had to do something spectacular and I inserted this scene. An arrow goes cleanly through the shield and then the warrior’s head.

This is not an exaggeration: the penetration power of a projectile, if it has sufficient velocity, mass, and tip, is massive. In fact, an arrow has more penetration power than a high caliber bullet from a pistol or revolver.

Bullets are always made of soft materials like lead to adapt to the rifling, therefore when they impact they flatten and deform. But although their penetration power is low, the impact and take down power of a bullet is very high. One shot from an old Western Colt 45 can take a rider out of his saddle and thrown him to the ground.

3Conversely, as you can see here, the sharp point of tempered steel of an arrow would give a very different result, especially if the bow were sufficiently powerful.

In the 14th century, there were some two-meter-long bows of such power that, in the battles of Crécy and Agincourt, the Welsh, English, and Flemish archers decimated the French nobility protected by shining, heavy armor.

Gerald of Wales, a clerk of the era, testified to the power of these bows during the battle of Abergavenny: one of William de Braose’s mounted soldiers was shot by one of these arrows, which punctured the soldier’s armor, chain mail, thigh, breeches, the chain mail again, the armor again on the other side, and the saddle tree wood, before sinking deeply into the horse’s flank, killing it.

Comic Artist Laureate of the Netherlands

I’m proud to announce that as of yesterday, I can call myself the first Stripmaker des Vaderlands, which translates to the impressive sounding Comic Artist Laureate of the Netherlands – and well, it is pretty impressive: for the next three years, I’ll be the ambassador of Dutch comics!

flyer1

I’m extremely honored to receive this task, and have been bowled over by the amount of media attention today. Who said comics are under the radar? I’m especially happy with a 5-minute item on national TV, which not only showed me being proud and drawing, but also visited a school where my comics are used, and talked to Caroline van der Lee from aaStrips Foundation which launched the initiative. I’m so happy to have such enthusiastic people supporting me! Here’s an impression:

eenvandaag

My ambition: to bury Holland in comics. Like this:

drawing

I love what’s happening right now, and this weekend I’ll be at the Breda Comics Festival where I hope to talk to a lot of people, colleagues, teachers, fans… And next week I’ll probably be asleep.

128-won

By the way, I’m also bowled over by the many congrats and encouraging words from friends and colleagues online (join me on Facebook!). Some even made me congratulatory drawings – thanks Marc ScherbateyevPeter van de Wiel and Pieter Hogenbirk!

marc-peterpieter

me

Kumoricon 2017

Kumoricon2017Promo

More cons are happening! This time you’ll be able to meet my current human form at an anime convention called Kumoricon! It’s an exciting real thing that is totally happening and not something I’m making up!

I wouldn’t do that!

You can find Jon on Twitter where he posts his silly drawings and sometimes brags about his kids, and you can find out more about LOOK here.

There Be Dragons…

This continuing excerpt shares behind the scenes material from NBM’s The Mercenary remastered editions.  To see all posts, click HERE.

As to story I could tell in those few sample pages, it occurred to me to do an aerial combat in World War II style, but with dragons ridden by medieval warriors and the rescue of a girl who, of course, would have to be nude. The protagonist would be the knight-rescuer and the setting would be any invented building, trying my hand at my reserve of fantasy.

merc1

In fact, this was not the first time that I did a sample to get work; a rejection was something that only affected me for a few hours. What I didn’t imagine was that this simple story would go on for so long…

merc3

One of the issues that I had at the beginning was how to deal with saddles. In all the iconography about the topic, it was common to see dragons with four legs and two wings.

I had even painted covers with flying dragons in which I had given them this configuration. But I was never comfortable with it. It was not logical, mainly because there was an evident basic structural failure. Even accepting the wide margins allowed by fantasy and admitting that nature has done stranger things, I thought that with this solution we were creating an animal that was absurd to a certain point, because any being with wings on its back, whether reptile, human, or angel, needs very marked musculature to move them, an issue that is always avoided.

m4

So it seemed more logical to use the solution adopted by nature where the front feet of primitive flying reptiles were sacrificed, transforming them into the bird wings that we are all familiar with.

m6For the first flying dragon that the Mercenary rides, I was inspired by the head of a tuatara lizard, a species dating back to much earlier than dinosaurs and the only one that has survived to modern times. It is said, as well, that they can live up to 100 years.

These exceptional characteristics were what led me to use it as a flying dragon in my samples.