After a great time at MoCCA, here we are, back again, with some recent reviews of various NBM titles.
Has been nominated for “Great Graphic Novel for Teens’ by YALSA (Young Adult Library Services Association). Results will be announced in January 2104 by the ALA.
“At times, both whimsical and melancholy, Abelard transcends the artform as an example of exquisite storytelling.”
“Billed as “A Graphic Poem,” author/artist Durieux’s volume renders a reverie rich with carefully detailed sepia-toned illustrations that incorporate photo reproductions of the museum’s celebrated artwork…Highly recommended.”
“Pure escapism through art.”
“In an afterword, writer/artist Christian Durieux says his ambition was to create poetry in comics. With this beguiling, bittersweet reverie, I think he has succeeded.”
“The art is lovely, the characters and dialogue are rich, and the book sweeps you up and carries you along with its verve. Each entry in the Louvre series has been unique, and has challenged its readers as a work of art should. This one stands above the others in its power to engage.”
“(Philosophy: A Discovery in Comics) is very much a “discovery”, a “first look” at philosophy that warns against subscribing to any particular system of thought too rigidly and instead encourages critical, personal engagement. It’s an important lesson to learn, particularly for young adults who are just beginning to engage with abstract thought.”
“Philosophy is organized like a virtual road trip, with de Heer and her husband Yiri (also a cartoonist; he did the coloring for this volume) offering commentary on the issues and philosophers covered, frequently raising the same kinds of questions that we would have, and providing reasonable answers to many of them. The illustrations are cute and colorful, alternating between standard frame-based sequential comics and full-page splashes, and de Heer’s cheerful style keeps even the weightiest questions from seeming too difficult to contemplate.”
“If you have a heart at all, you will cry reading this book.”
The Morton Report has a fantastic interview with Rick where he discusses A Treasury of Victorian Murder Compendium as well as his true-crime work in general.
“Rick Geary’s distinctively inked style is a perfect match to the tales of bloodshed he favors—they recall both woodcuts and graphical newspaper illustrations of the Police Gazette variety, giving a period flavor to his work. His deadpan style of storytelling, as well as his unerring choice of unusual details to highlight, give the proceedings a touch of humor of the “what fools these mortals be” variety.”