Just after I graduated college I lived in Chicago for a couple of years, and I had this notion of doing comics. I spent about a year working on this silly superhero comic that I thought was about all sorts of things (the rise of multinationalism and the corporatization of the media), but was really about nothing. I had a friend named Brad, who I talked comics with. I showed him this superhero comic, and over drinks at a bar, he said, “You shouldn’t do any more comics like that. It’s not very good.”
And as soon as he said it I knew he was right.
Which started me off on a whole new direction. I had this idea comics that worked more like poems or songs. No need for a narrative. No need for character names. The only goal was to get at an emotion as raw and pure and undiluted as possible. There were some successes, and some failures.
And it was these comics that lead to my first book with NBM, Flower and Fade. The title of which was taken from D.H. Lawrence:
“Life and love are life and love, a bunch of violets is a bunch of violets, and to drag in the idea of a point is to ruin everything. Live and let live, love and let love, flower and fade, and follow the natural curve, which flows on, pointless.”
I was very serious.