Belt Magazine is an online publication with a focus on life and culture in the “rust belt.” Since 2013, they’ve featured essays, longform journalism, op-eds, and reviews of works by creators from the industrial Midwest. And they just ran a nice article on Persia Blues, entitled Graphically Persian in Ohio: Novel Adventures from Columbus Artists. Here’s a snippet of what they had to say about Brent Bowman’s art in the book:
This combination noir and penny-dreadful background is apparent in the pages of Persia Blues, which alternates visual styles: ancient Persia is dark and moody, as if the story is coming to us from a great distance full of smudged shadow and deep recesses of sky; modern Iran is primarily depicted in line drawings with brightly lit, page-white backgrounds, as if we are watching reality TV.
I like the author’s theory as to the central mystery of the book’s dual settings. I won’t say whether he’s on the right track or not, but give it a read and see if you agree. Or do you have your own theories?