It’s been three long years since I commissioned Francesco Francavilla to illustrate a cover for THE BROADCAST. Three years!! That’s a long time, especially in comics. They’ve two Harry Potter movies in that time, I think.
I’m sure Francesco reached a point where he assumed it wasn’t going to come out. Part of me thinks he probably forgot about it all together. Anyway, I was ecstatic to send him an e-mail a while back to let him know we finally had a publisher and the gorgeous piece he did was going to see print.
To celebrate the book’s debut next month, Francesco did a new piece over on his Pulp Sunday blog that features Orson Welles. I’ve already requested a print. I’ve pasted it below, but I highly suggest everyone take a look at his blog. He is incredibly talented and is a future star in comics. We’re going to work together someday… he just doesn’t know it yet. 😉
Don’t forget to pre-order your copy of THE BROADCAST.
There’s an old saying that every writer has a million bad words in them, and that the only way you can become a decent writer is to get through those first million words as fast as you possibly can.
Now, I can’t say for sure if I’ve written a million words. I think the chances are pretty high. I’ve written an awful lot. But while I can’t tell you for certain how many words I’ve put on the page, I can tell you there was a moment when writing THE BROADCAST when I felt as if the last bad word had escaped and I was finally writing something readers would find special.
Most my stuff sees huge changes as I re-write, but this scene is almost word-for-word exactly as I wrote it the first time out. I’ve written better stuff since. Heck, it probably isn’t even the best scene in THE BROADCAST. But this scene holds a special place in my heart. It was the first time I ever sat down, read my work and believed I actually had a chance to sell the damned thing. :o)
Pre-order THE BROADCAST today!
So Wednesday is new comic day. If you’re like me you’ll be making the trip early in the afternoon to check out what’s made it into your pull folder and what new books hit the shelf that you might be interested.
Well, don’t make the trip without this…
This week comic retailers will be making their final decisions on what to stock their shelves with come August. If you’ve decided you want to pick up THE BROADCAST you HAVE to let your local shop know. Things are tight these days, and stores aren’t ordering a lot from publishers outside of the big two. In fact, some aren’t ordering anything at all. I can’t stress this enough. If you don’t pre-order there is a very strong chance it won’t show up on the shelf on a Wednesday come August.
Of course, if you don’t have a local shop available to you then you can always pre-order it through the NBM Store.
And, don’t forget, there is a huge 21-page preview over on my site for those who haven’t had the chance to give it a look.
I’m asked where I get my story ideas from all the time. All writers are, I suppose. The truth is, I see stories everywhere. But I’ll never forget the first time I heard the Orson Welles’ WAR OF THE WORLDS radio broadcast. It sparked my imagination almost immediately. Of course, it did for more than one million Americans that night too. Enjoy…
Click here to listen to the original Orson Welles’ broadcast.
See the forthcoming The Boradcast graphic novel.
I guess the best place to begin is with an introduction. My name is Eric Hobbs, and I’ve written a book titled THE BROADCAST set to be published by NBM later this fall.
Taking place during a treacherous storm, THE BROADCAST is about a rural Indiana town that loses power halfway through Orson Welles’ infamous WAR OF THE WORLDS broadcast having never learned the infamous radio play is a hoax.
Fearing the worst is upon them four diverse strangers band together in an effort to make it through the night. Tensions build, however, as long suppressed emotions and unsettled conflicts surface, and it isn’t long before all involved realize they have as much to fear from each other as they do the “alien invasion” heading their way.
I’ve teamed with artist Noel Tuazon for the project. His work on ELK’S RUN earned a Harvey nomination, and his most recent project, TUMOR, received critical acclaim across the board.
Here’s a brief look at what he’s bringing to the table with THE BROADCAST…
I don’t want to give too much away, but given that WE know there are no aliens… it’s pretty clear someone is lying, no?
Click here for a look at the first 21-pages of the book.