The Penetration Power of a Projectile

This excerpt shares behind the scenes material from NBM’s The Mercenary remastered editions, available now.  To see all posts, click HERE.

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As for the warrior, in principle he was nothing specific, just a character in these circumstances, so I didn’t put too much into him: partial body armor was less work and one supposes that it is enough if he protects himself with his shield. At that time, I already had experience drawing armor and all kinds of weapons, of which I am a big fan. Years before, in 1978, I had written and illustrated a monograph about this topic called Universal History of Weapons. In these supplements you can see some of the illustrations from that book.

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For the sample, I had to do something spectacular and I inserted this scene. An arrow goes cleanly through the shield and then the warrior’s head.

This is not an exaggeration: the penetration power of a projectile, if it has sufficient velocity, mass, and tip, is massive. In fact, an arrow has more penetration power than a high caliber bullet from a pistol or revolver.

Bullets are always made of soft materials like lead to adapt to the rifling, therefore when they impact they flatten and deform. But although their penetration power is low, the impact and take down power of a bullet is very high. One shot from an old Western Colt 45 can take a rider out of his saddle and thrown him to the ground.

3Conversely, as you can see here, the sharp point of tempered steel of an arrow would give a very different result, especially if the bow were sufficiently powerful.

In the 14th century, there were some two-meter-long bows of such power that, in the battles of Crécy and Agincourt, the Welsh, English, and Flemish archers decimated the French nobility protected by shining, heavy armor.

Gerald of Wales, a clerk of the era, testified to the power of these bows during the battle of Abergavenny: one of William de Braose’s mounted soldiers was shot by one of these arrows, which punctured the soldier’s armor, chain mail, thigh, breeches, the chain mail again, the armor again on the other side, and the saddle tree wood, before sinking deeply into the horse’s flank, killing it.

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Kumoricon 2017

Kumoricon2017Promo

More cons are happening! This time you’ll be able to meet my current human form at an anime convention called Kumoricon! It’s an exciting real thing that is totally happening and not something I’m making up!

I wouldn’t do that!

You can find Jon on Twitter where he posts his silly drawings and sometimes brags about his kids, and you can find out more about LOOK here.

There Be Dragons…

This excerpt shares behind the scenes material from NBM’s The Mercenary remastered editions, available now.  To see all posts, click HERE.

As to story I could tell in those few sample pages, it occurred to me to do an aerial combat in World War II style, but with dragons ridden by medieval warriors and the rescue of a girl who, of course, would have to be nude. The protagonist would be the knight-rescuer and the setting would be any invented building, trying my hand at my reserve of fantasy.

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In fact, this was not the first time that I did a sample to get work; a rejection was something that only affected me for a few hours. What I didn’t imagine was that this simple story would go on for so long…

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One of the issues that I had at the beginning was how to deal with saddles. In all the iconography about the topic, it was common to see dragons with four legs and two wings.

I had even painted covers with flying dragons in which I had given them this configuration. But I was never comfortable with it. It was not logical, mainly because there was an evident basic structural failure. Even accepting the wide margins allowed by fantasy and admitting that nature has done stranger things, I thought that with this solution we were creating an animal that was absurd to a certain point, because any being with wings on its back, whether reptile, human, or angel, needs very marked musculature to move them, an issue that is always avoided.

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So it seemed more logical to use the solution adopted by nature where the front feet of primitive flying reptiles were sacrificed, transforming them into the bird wings that we are all familiar with.

m6For the first flying dragon that the Mercenary rides, I was inspired by the head of a tuatara lizard, a species dating back to much earlier than dinosaurs and the only one that has survived to modern times. It is said, as well, that they can live up to 100 years.

These exceptional characteristics were what led me to use it as a flying dragon in my samples.

Pride of the Decent Man: get a copy with an original drawing!

First few to order this book from us gets a copy with beautiful art drawn in by him! Here’s a sample, on the title page inside the book:

TJ art in book

(that sketchbook page is printed empty).

Can’t get this on Amazon! Only from us.

This launch of a relatively new author, TJ Kirsch, is getting many rave reviews, see more about it and order your copy with original art here.

The Library Journal gave it a starred review, Steve Orlando, Noah Van Sciver and Van Jensen have all blurbed enthusiastically for it!

PRIDE OF THE DECENT MAN

 

‘The Mercenary’: “Tebeos” No More

This excerpt shares behind the scenes material from NBM’s The Mercenary remastered editions, available now.  To see all posts, click HERE.

bottom-mercSome interesting circumstances got me into comics. In the middle of the 1970s, at the beginning of Spanish democracy, there was a repeal of many prohibitions from the dictatorship in Spain that affected culture. This prompted a kind of revolutionary movement in the comics world that led intellectuals to investigate what was behind this curious thing that now was called “comics” and used to be called “tebeos” (silly, nonsense). The media talked about them and soon this dying genre revived itself. Editors with new magazines and illustrators appeared. Competition grew which led to “full color” pages which was more marketable although at the beginning it was only a few pages out of the magazine.

mercmachineAt that time, I had switched illustrator agents and the new one, in addition to selling our work, had become an editor of comics magazines. I liked comics and, seeing that there was demand for color stories, I proposed to my agent that I do some sample pages for free, with the intention of expanding my field of work. Naturally, the agent-editor said yes. I painted covers in oil paints. This technique was completely unusual in the comic world, but it was a way of working that I felt very comfortable with and I wasn’t going to change my system. I wasn’t sure how this might be accepted, particularly due to the absence of the classic black ink lines and the novelty of the technique, but despite my doubts, I couldn’t just stop doing what I knew best.

To have some guarantee of success, it had to be something remarkable, but given the circumstances, it also had to be easy and comfortable to do and for that reason, better to do it all from my imagination. I did not want to start a period piece that would require me to research tedious documentation about clothing, buildings, furniture, and settings.

The most practical would be to pick a fantasy topic and invent everything. I have always been a big fan of the middle ages with their armor and dragons, as well as weapons, castles, aircraft, the female form, and, especially, orientalist fantasy, so I got down to it and mixed all of these ingredients.

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On Television

I was on Dutch TV, in a 25-minute interview that covered everything from my image of God to the upcoming Stripmaker des Vaderlands election. The program is called ‘Het Vermoeden’ and set in an old-fashioned train compartment, to facilitate guests talking about their life’s journey and the next station they expect to arrive at.

Of course, it was all done in a studio, and this is what it looked like:

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The interview was done by Marleen Stelling, and felt like a very pleasant, almost casual conversation about Life, the Universe and Everything:

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I was a bit nervous about how I would come across on TV – I hardly ever see myself move or talk the way others perceive me, so it was really er, interesting to watch myself. The thing that struck me most was how lively I gesticulate:

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And second, I was touched to find myself mirroring my long deceased grandfather, Hendrikus Berkhof, who was professor of Theology and would have loved to see his granddaughter carry on his legacy, in a way:

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The whole interview (in Dutch!) can be watched here.

All in all, it was a very intense and positive experience! It makes me even more confident that not only could I handle being Stripmaker des Vaderlandsvoting still open until the 30th! – , I would actually enjoy the media aspect of it.

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Because, let’s be honest here, I just love talking about myself.

And comics.

And myself in relation to comics.

#RCCC 2017

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There’s something about cons that really gets me pumped to create. Maybe it’s being surrounded by all of the amazing artists of Artist Alley, or the waves of incredibly nice people buying and complimenting my art, or just being completely emotionally exhausted by the end of it. Whatever it is, the second I get home I immediately get to work on one of the crazy new projects that is my current obsession.

And this year was no different! I go to RCCC every year and this was definitely my best and favorite year of all time.

It was A++

You can find Jon on Twitter where he posts his silly drawings and sometimes brags about his kids, and you can find out more about LOOK here.