NBM Celebrates Its 40th Anniversary With Appearances and Signings

As we head toward the end of 2017, NBM Graphic Novels is continuing to celebrate its 40th Anniversary with appearances at a number of shows with special guests in attendance. At all convention appearances there will be a selection of our latest titles on hand available for purchase.
 

 
Small Press Expo (SPX)/Booth G1-2
Bethesda, Maryland /
September 16-17
Appearing Saturday Only:
Special Guest: Anais Depommier (Sartre)
Guests: T.J. Kirsch (Pride of The Decent Man), Kata Kane (
Ana & The Cosmic Race, Papercutz)
http://www.smallpressexpo.com

Panel: Filling In The Pieces: Comics Biography
White Flint Auditorium 9/16 5:00 pm – 6:00 pm
When doing a comics biography, how do cartoonists approach the material they have at hand? For Box Brown, who did a biography of Andre the Giant, he struggled to find material that might reveal the wrestler’s inner life. Anais Depommier had to sift through a mountain of material for her biography of Jean-Paul Sartre, a task made all the more difficult considering how much the philosopher wrote about himself. Luke Howard had to deal with a historically and racially sensitive topic in ragtime creator Ernest Hogan. Moderator Chris Mautner will lead the discussion. Anais Depommier appears courtesy of a grant by The Cultural Services of the French Embassy.

Signing Schedule
Saturday (Booth G-1-2)

11:30- 12:30: Anais Depommier (Saturday Only)
1:00-2:30: T.J. Kirsch (Saturday Only)
2:30-4: Anais Depommier (Saturday Only)

4-5:30: T.J. Kirsch (Saturday Only)
5:00-6:00: Kata Kane
6:00-6:30: Anais Depommier (Saturday Only)
 
Sunday (Booth G-1-2)

1-2: Kata Kane
3-4: Kata Kane

 

Brooklyn Book Festival / Booth 319
Brooklyn, New York / September 16-17
Appearing Sunday Only:
Guests: Anais Depommier (Sartre) and T.J. Kirsch (Pride of The Decent Man)
http://www.brooklynbookfestival.org/

Signing Schedule
Sunday (Booth 319)

10 :30-11:30: T.J. Kirsch
11:30-12 :30: Anais Depommier
1-2: T.J. Kirsch
2-3: Anais Depommier

3-4: T.J. Kirsch
4-5 Anais Depommier

 

Thought Bubble: The Leeds Comic Art Festival
Leeds, England / September 18-24
Guests: Metaphrog (The Little Mermaid, Papercutz)
http://thoughtbubblefestival.com

 

Anais Depommier Book Signing
Books & Books / September 20 at 8PM
265 Aragon Ave Coral Gables, FL
http://booksandbooks.com/event/anais-depommier/

 

T.J. Kirsch Book Signing
Book House of Stuyvesant Plaza / September 23 at 3 PM – 4:30 PM
1475 Western Ave, Albany, New York
http://www.bhny.com/event/bh-tj-kirsch-signs-pride-decent-man

 

Cartoon Crossroads Columbus
Columbus, Ohio / September 30 – October 1
Exhibiting: Dara Naraghi (Persia Blues)
http://cartooncrossroadscolumbus.com

 

Uticon
Utica, New York / October 1st
Guest: T.J. Kirsch (Pride of The Decent Man)
http://www.uticoncomicshow.com

 

Lakes International Comic Art Festival
Kendal, England / October 13-15
Guests: Metaphrog (The Little Mermaid, Papercutz)
https://www.comicartfestival.com

 

T.J. Kirsch Book Signing
Barnes and Noble / October 21
Colonie Centre, Albany, NY
https://stores.barnesandnoble.com/event/9780061886661-0

 

Kumoricon
Portland, Oregon
Guest: Jon Nielsen (Look)
October 27-29
https://www.kumoricon.org

 

T.J. Kirsch Book Signing
Halloween Comic Fest / October 28
Flipside Gaming
East Greenbush, New York
https://www.facebook.com/FlipsideGamingEastGreenbush

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Background of ‘The Mercenary’

NBM Graphic Novels will be reprinting all 14 volumes of Vincente Segrelles groundbreaking graphic novel series The Mercenary in updated, remastered volumes.

In anticipation of this exciting release, we’re previewing the supplementary pages that will be included in the back of every volume.

* * * * *

merc2When I was little, just like most children, I liked to draw—although in my case it was a somewhat unhealthy hobby. I was born in 1940 and my childhood took place during the Spanish post-war period, an era of hardships and rationing. I remember that, when I was very young, but old enough to remember with some clarity, I secretly got up at 6 in the morning and shut myself in a room so I could draw, making sure to cover the crack at the bottom of the door with a towel so that the light shining through wouldn’t give me away. They found out and my nocturnal adventure was over, but I continued drawing during allowed hours. Storybook illustrations fascinated me and I tried to copy them. Later came comics and especially movies.

And then there was the influence of my uncle José Segrelles, my father’s brother. Uncle Pepe, as we called him at home, was a well-known illustrator in the 1930s, a great watercolor painter specialized in fantasy.

In the apartment where we lived, we had books illustrated by him and a few framed reproductions of his work, but the crucial thing was the artistic atmosphere that I breathed in at home. The “Uncle Pepe” atmosphere, as would be expected, affected me a lot and framed my professional aspirations for the future: my dream was always to be a painter-illustrator.

But life took me down many roads before reaching this profession. My stint in a truck factory and in advertising did not quash my vocation, and in my free time I continued drawing.

And finally I achieved it, first illustrating trading cards, then research books, and finally book covers.

When I reached the comics world, I was already much older than is usual for authors in this specialty, but I had a background of hundreds of covers in a wide variety of topics including fantasy and dragons, some of them mounted and ridden by warriors, iconography that I would use to create samples and to find work in comics.

 

“I remember well when these books first came out. I bought all of them. They had a great influence on me as a painter; also on my interest in sequential art. Vincente Segrelles is a superlative storyteller in both words and pictures. Like the extraordinary art of his Uncle, Jose Segrelles, the work of Vincente is not to be missed!”

– Joe DeVito, creator and illustrator of King Kong of Skull Island

Why Sartre today?

SARTRE

This graphic novel about Sartre’s life is being published in the US by NBM, in a pessimistic era and in a global political context that, in short, can be described as worrying and freedom-destroying. “The story of a life is the story of a failure”. Sartre was amused by his own irony in writing that we are constantly running after that which makes us incoherent, dissatisfied, incomplete beings: desire.

 

However Sartre and his existentialism were not pessimistic. It was important to me to show his full personality in this graphic novel. His entire life was crossed by desires; as incoherent and misunderstood as they might be by his contemporaries as well as the reader of today. These days I appreciate more his partner Simone de Beauvoir and her work as a feminist, but at that time I wanted to continue to develop my thoughts and writings on him.

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In 2011 at 23 years old, I graduated in Contemporary Philosophy at the École Normale Supérieure in Paris, the school where Sartre also studied. This field of study “Contemporary Philosophy” inncludes philosophy which followed the great revolutions in thinking by Nietzsche, Marx and Freud, to today. My thesis I defended was on Sartre’s attraction to psychoanalysis. This attraction is a story of love and hate; as a thinker of his time, Sartre wanted to go deeper into the Freud-Marxist legacy. He was extremely interested in one of the most important revolutions in the XIXth century. He was excited and afraid of the idea that the human psyche comes with a dark zone called “the unconscious”, and we finally acquired the tools to explore it, like a new language or a forgotten Atlantis.

interior ort.indd

Sartre was deeply attracted by this perspective, only it was impossible for him to admit that this unconscious is ruling us, deciding things for us, driving us with dreams and Freudian slips. I wanted to look at the reason why. Sartre actually strongly believed that human beings are ALWAYS free and that they only decide for themselves, alone. This counteraction between the two concepts of unconscious and freedom haunted him his whole life. He never underwent psychoanalysis himself but instead wrote several books about artists and writers to vicariously experience the analysis process. These writings he poetically called “existential psychoanalysis”. He published texts and essays about Baudelaire (Baudelaire), Jean Genet (Saint Genet, Actor and Martyr), Tintoretto (The Sequestered of Venice), Gustave Flaubert (The Family Idiot)… and himself (The Words).

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We could criticize him for being so stubborn to the point of writing an unreadable 3000 pages on Flaubert to “psychoanalyze” him and therefore completely avoid the main concept of psychoanalysis. Ironically, he came to the same conclusion as Freud; a psychoanalysis is endless (even if not useless). Maybe he pursued the question of the unconsciousness not out of intellectual curiosity but fear. Sartre was approaching death at the time of the writing of this colossal book and was using many destructive drugs. It was also the time when he missed the ’68 revolution in Paris and was accused by the youth of being a bourgeois writer; an intellectual who stayed in his comfy office writing on lofty issues while the streets were on fire.

 

As he was emphatically defending freedom he did indeed forget his privileged social milieu (born in the tony Saint-Germain-des-Prés, he received the best education possible). How then, could he dare to say that violence can be justified, if its noble aim is to defend freedom? Or that a slave somehow always has a choice, even if the only one way of escaping is in thought?

 

This graphic novel definitely does not solve these complex philosophical-political problems. My aim was to make them visible by showing the man behind these strong ideas and inconsistencies. “The little man” as his “amour nécessaire”, Simone de Beauvoir, called him affectionately. He was a stubborn man who loved life and people. An Epicurean who loved to travel and party. A radical artist who only used drugs for philosophy and not for literature, as literature had to stay “pure”.

interior ort.indd

While criticizing him, we could also give him credit where credit is due. As a young writer, I admit that I was charmed by his obsession for freedom, his relationship with Simone de Beauvoir and their many famous friends. In Sartre, I wanted to show the sexy and sometimes dirty back-stages, distilling anecdotes that are least well-known about him and Simone de Beauvoir. Also to show that it is not completely hopeless to cling to the defense of all kinds of freedoms, even at a time when the world seems to draw the outlines of an existential prison.

See the new Sartre book and stay tuned for artist Anais Depommier’s tour starting next week!

Meet Vincente Segrelles, Creator of ‘The Mercenary’

NBM Graphic Novels will be reprinting all 14 volumes of Vincente Segrelles groundbreaking graphic novel series The Mercenary in updated, remastered volumes.

In anticipation of this exciting release, we’re previewing the supplementary pages that will be included in the back of every volume.

* * * * *

In them I will explain how and why I started The Mercenary, my way of working, anecdotes, and interesting tidbits about the way that I write comics and especially the direct relationship between the issues and my passions. I have illustrated each supplement with many samples my work, and everything that you will see, from the illustrations to the models and sculptures, was done by me.

vincente

The Cult of The Sacred Fire was one of my first introductions to fully painted graphic novels and to this day holds up against the best of them. Segrelles inspired generations to push the art further with this breakthrough book and 40 years later, its looking better than ever. A must-have for any illustrator or storyteller.”

– Jimmy Palmiotti, writer of Harley Quinn; creator of Painkiller Jane

Now Read THIS!

The stellar reviews keep coming in for PRIDE OF THE DECENT MAN! Win Wiacek, writing from the UK on his NOW READ THIS blog, has proclaimed the book as a…

“thoughtful and totally immersive glimpse of a life both remarkable and inescapably pedestrian:a reflection on common humanity and day-to-day existence with all the lethal pitfalls they conceal and joys they promise.”

Wiacek also says adds that PRIDE is a “seductively sedate, powerfully evocative and poignantly human-scaled fable of a guy with no hope and the odds stacked against him from the get-go…”

To close out the piece, Win mention this as a great comic to hand to even a non-comics-fan, and a musical pairing suggestion was made – a recommendation to spin Bob Seger’s “Mainstreet” while reading the book. I’ll have to try that myself.

I’d also add another musical pairing – “Tender Years” by John Cafferty and the Beaver Brown Band, from the cult hit movie soundtrack Eddie & The Cruisers. There’s just the right amount of passion and nostalgia in that song to go along with Andrew’s story. Readers with a keen eye for detail will also notice Eddie Wilson’s iconic cut-off black shirt is the same one worn by Andrew Peters.

To read the review in full, go here.

For more about PRIDE OF THE DECENT MAN, including how to order, go to NBM Graphic Novels.

Thanks for reading!

-T.J.

 

 

 

 

PRIDE lives!

Copies of Pride Of The Decent Man are beginning to arrive in the hands of readers. This is feels like the end of something, but also the beginning of another stage – promotion!

It’s actually been two years (!) since sending off the initial short proposal for the book, and now it’s done, real, and ready to be (hopefully) enjoyed by the public.

I’ll be making my first two appearances in support of PRIDE soon at the Small Press Expo in Maryland and the Brooklyn Book Festival in NYC. Details to come very soon!

I’m also posting a new tour poster image I’ve got with some other dates as well. More are being added soon.

Pride Of The Decent Man is now available through many fine booksellers.

For more info, go here.

Thanks again – and thanks for reading.

T.J.

picture

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The Reviews Are In!

Library Journal has given Pride Of The Decent Man a fantastic advance review on their site, calling it;

“A complex story told in a thoughtful, moving manner,” and “Highly recommended for anyone trying to be a better, decent person.”

They also describe the “Beautiful if often sad color drawings and spare dialogue” that fill the volume.

This review means a great deal, particularly because of its association with libraries, which can easily open up a new world of graphic novels to younger and new readers.

For those who aren’t aware of Library Journal, their site describes itself as “the most trusted and respected publication for the library community. Built on more than a century of quality journalism and reviews.”

Read the full review here.

To learn more about Pride Of The Decent Man, including how to order your own copy, go here.

pridecover