On Television

I was on Dutch TV, in a 25-minute interview that covered everything from my image of God to the upcoming Stripmaker des Vaderlands election. The program is called ‘Het Vermoeden’ and set in an old-fashioned train compartment, to facilitate guests talking about their life’s journey and the next station they expect to arrive at.

Of course, it was all done in a studio, and this is what it looked like:

studio

The interview was done by Marleen Stelling, and felt like a very pleasant, almost casual conversation about Life, the Universe and Everything:

vermoeden

I was a bit nervous about how I would come across on TV – I hardly ever see myself move or talk the way others perceive me, so it was really er, interesting to watch myself. The thing that struck me most was how lively I gesticulate:

gestes

And second, I was touched to find myself mirroring my long deceased grandfather, Hendrikus Berkhof, who was professor of Theology and would have loved to see his granddaughter carry on his legacy, in a way:

rab-nin

The whole interview (in Dutch!) can be watched here.

All in all, it was a very intense and positive experience! It makes me even more confident that not only could I handle being Stripmaker des Vaderlandsvoting still open until the 30th! – , I would actually enjoy the media aspect of it.

tv-me

Because, let’s be honest here, I just love talking about myself.

And comics.

And myself in relation to comics.

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NBM Announces SPX, Brooklyn Book Festival Plans

This coming weekend, September 16th and 17th will be a busy one, with NBM Graphic Novels appearing at two amazing East Coast Shows, the Small Press Expo in Bethesda, MD and Brooklyn Book Festival in New York.

Be sure to stop by and check out some of our latest titles!

Small Press Expo (SPX)

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Booth G1-2

Bethesda, Maryland
Special Guest: Anais Depommier (Sartre) – Saturday Only
Guest: T.J. Kirsch (Pride of The Decent Man) – Saturday Only
Kata Kane (Ana & The Cosmic Race, Papercutz)

smallpressexpo.com

Panel:  Filling In The Pieces: Comics Biography
White Flint Auditorium 9/16 5:00 pm – 6:00 pm

When doing a comics biography, how do cartoonists approach the material they have at hand? For Box Brown, who did a biography of Andre the Giant, he struggled to find material that might reveal the wrestler’s inner life. Anais Depommier had to sift through a mountain of material for her biography of Jean-Paul Sartre, a task made all the more difficult considering how much the philosopher wrote about himself. Luke Howard had to deal with a historically and racially sensitive topic in ragtime creator Ernest Hogan. Moderator Chris Mautner will lead the discussion. Anais Depommier appears courtesy of a grant by The Cultural Services of the French Embassy.

Signings:

Saturday (Booth G-1-2)
11:30- 12:30: Anais Depommier (Saturday Only)
1:00-2:30: T.J. Kirsch (Saturday Only)
2:30-4: Anais Depommier (Saturday Only)
4-5:30: T.J. Kirsch (Saturday Only)
5:00-6:00: Kata Kane
6:00-6:30: Anais Depommier  (Saturday Only)

Sunday (Booth G-1-2)
1-2: Kata Kane
3-4: Kata Kane

 

Brooklyn Book Festival

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Booth 319

Brooklyn, New York
Appearing Sunday Only:
Guests: Anais Depommier (Sartre) and T.J. Kirsch (Pride of The Decent Man)
BrooklynBookFestival.org

Signings:

Sunday (Booth 319)
10 :30-11:30: T.J. Kirsch
11:30-12 :30: Anais Depommier
1-2: T.J. Kirsch
2-3: Anais Depommier
3-4: T.J. Kirsch
4-5 Anais Depommier

 

Food for Thought

Two years ago, I drew comics to illustrate the 17 Global Goals, and this year, I was asked by The World’s Largest Lesson to draw a follow-up poster. It’s designed to be used in schools, introducing the Global Goals through examining what’s on your plate – literally:

globalgoals_food

The project is neatly divided in different chunks and accompanied by handy notes for teachers – check it out on the site of The World’s Largest Lesson!

plans

All the materials are free and can be used in the age groups of 9-14 year olds – please spread the word to teachers and educators!

PRIDE lives!

Copies of Pride Of The Decent Man are beginning to arrive in the hands of readers. This is feels like the end of something, but also the beginning of another stage – promotion!

It’s actually been two years (!) since sending off the initial short proposal for the book, and now it’s done, real, and ready to be (hopefully) enjoyed by the public.

I’ll be making my first two appearances in support of PRIDE soon at the Small Press Expo in Maryland and the Brooklyn Book Festival in NYC. Details to come very soon!

I’m also posting a new tour poster image I’ve got with some other dates as well. More are being added soon.

Pride Of The Decent Man is now available through many fine booksellers.

For more info, go here.

Thanks again – and thanks for reading.

T.J.

picture

flyer small

On Lettering And Fonts.

When I was first putting together the initial proposal for PRIDE OF THE DECENT MAN, I thought about the lettering quite a bit. I hadn’t hand lettered a comic in quite a while ( my old lettering instructor Mike Chen at Kubert School is rolling his eyes ), and working digitally as I have been for 9+ years, I’ve seen what computer fonts work best with my particular style of artwork. Fonts that’ve worked for me in the past wouldn’t necessarily look best with this new story. It’s quieter, more contemplative than my previous books, and with that should come an appropriate font ( or fonts ).

I tried a few favorites from ComiCraft and Blambot I’d used over the years, but they didn’t look quite right for this project. They seemed to modern, too dynamic. I half-remembered one I’d used while working on an educational comic for UC Berkeley years ago. It was a font based on the hand lettering of Danish, NYC-based cartoonist Henrik Rehr, and designed by Johan Brandstedt. Henrik is a fantastic and prolific cartoonist, and his lettering is very organic and subtle on his many projects.

I thought it would work for the dialogue PRIDE, and I think it does! It’s also fairly close to a better version of my own lettering, if I were patient enough to try. Of course, it’s been years of not using that particular muscle. Luckily in this day and age, it’s very easy to reach out to fellow creators through social media or email, so I did just that. I asked permission to use the lettering font in my book and he agreed. I call that pretty lucky.

fonts

For the captions from Andrew’s notebooks, I found a similarly organic-looking font designed by Font Diner that looks like someone’s handwriting. They also enthusiastically gave permission, as Henrik had, and I think what came out in the end works in support of the storytelling.

So please, seek out the work of Henrik Rehr as well as Font Diner if you can and support them. They’ve been good to me, and I can’t thank them enough.

For more information, including how to order, and preview pages for PRIDE OF THE DECENT MAN, go here!

Thanks again for reading.

T.J.

 

 

 

 

You’ve got mail!

Physical mail (the stuff that gets delivered to your door by a postman, as opposed to digital mail in your inbox) is under fire in The Netherlands. There’s less of it, so there are huge cuts in delivering hours and postman wages, while stamp prices go up and up.

Nevertheless, nothing beats the thrill of getting a personal letter by snail mail. And it’s been a thrilling time for me in that respect – here’s some stuff that got delivered to me recently:

resist

My wonderful Californian proofreader Dan Schiff sent me two copies of Resist!, the revolutionary magazine that my Minnie-comic was featured in. It’s great to finally be able to browse it (96 pages!) AND it came with lovely personal stuff from Dan, who’s also a gifted artist and a big James Joyce fan – that’s his drawing on a James Joyce bag, and he even added a little doodle especially for us!

Thanks, Dan!

cephalopod

She used to do my accounts for me, now Olga Nagtegaal is dabbling in linoleum prints and I just had to get my hands on this beautiful cephalopod. She even threw in a “misprint” which is just as lovely! (I’m cheating a bit, because Olga actually delivered this to my door, but it was in an addressed envelope, so it still counts as mail).

Thanks, Olga!

lenticular-maatn

My brother Maarten de Heer recently launched a successful Kickstarter to fund his unique lenticular painting BIOSCOPE. Yesterday, the rewards arrived – pieces from the experimental prints he made in the process. Especially for us, he added a print of these animations Yiri made on the DS:

lenticular-yiri

(The real-life picture moves when you change the angle – it’s made from a 15-frame animation)

Thanks, Maarten!

argibald

Artist Willem Bentvelzen (a.k.a. Argibald) makes hilarious cartoons, but also these lovely artistic drawings. For a few years now, he has produced one a day, offering them for a reasonable price of which 20% goes to the food bank. It’s the second time I’ve received his art, and I especially love this stack of cats. It arrived with a personal card and a stack of his cartoons.

Thanks, Willem!

Apart from receiving mail, I have also sent out some. In order to win votes for becoming Stripmaker des Vaderlands, I’m offering original doodles and sending them out on postcards. Here’s a selection:

cards

I’m continuing this until the end of September, by the way, so if you want one too, drop me a line!

(Netherlands only, but if you live abroad and you ask nicely, I’ll consider it)

Story of Lee volume 3

I’ve officially started writing the script for volume three of our book with NBM

The Story of Lee.

Let’s see what happens to Matt and Lee. Will they stay together or split? Will Lee stay in Britain or go back to Hong Kong?  How about Uncle Jun?

Who knows?

No one, yet.

Not even me!

Meanwhile, there are a few copies of the special Story of Lee banded set left. Not many as its sold well.

This is a good deal, with volume 1 and volume 2 of the book packaged together with a specially printed band (or ‘obi’ as they called in Japan). And its $4 cheaper to buy this banded set of the two volumes.

Get your copy here:

http://www.nbmpub.com/comicslit/storyoflee/storyofllee_home.html

SOL banded july 2017