The great critic and author of books on comics has a couple brilliant reviews: this for Why I Killed Peter and this for Ordinary Victories. He even goes as far as saying Bottomless Bellybutton pales next to Ordinary Victories! Nyah.
“Seen in the context of this long tradition, Opper ultimately created a great gag, a caricatured layabout with an appalling taste in orange polka dot undershirts. Viewed in retrospect, post-Depression, however, he acquires a special poignancy.
Here was a man who was only ever trying to help, never asking for favors, loved by children, and here was a society intent on beating him down. The line between comedy and tragedy is a fine one, and Hooligan’s lines were pretty fine.
Yet Opper was nothing if not smart, and knew we could only put up with so much. Rarely, just rarely, the schmuck from Brooklyn gets a break. In isolated strips, when all seemed lost, he does get the girl, the cake, or the dog. ”
The Review gives our collection 4 stars out of 5.
I’m tellin ya, it’s a classic not to be missed!
We’ll be at booth 1713 in a well placed corner, have our latest books out both for NBM and for our sister publishing co. Papercutz.
For NBM that means having Miss Don’t Touch Me, Nocturnal Conspiracies by David B, Happy Hooligan and fresh in: LITTLE NOTHINGS 2 by Lewis Trondheim! We’ll also have Neil Kleid of Brownsville and other comics with Slave Labor, Image, etc… Publisher Terry Nantier will be there, ready to chat with you.
For Papercutz, the big news is we’ll have Greg Farshtey on Saturday, the writer of Bionicle and of course the latest Nancy Drew, Hardy Boys, Tales from the Crypt and Classics Illustrated. Meet also our industry-beloved Editor-in-Chief Jim Salicrup.
See ya there at the Javitts Center Feb. 6-8.
The Daily Yomiuri, an English-language Japanese paper ran a long well-illustrated review of Dirk Schwieger’s Moresukine calling it “Highly Entertaining. Amusing look at many aspects of life in Japan.”
It goes on to describe quite a few of Schwieger’s ‘exploits’ under the command of internet readers.
Spent the day laying out the hardcover book jacket for THE BIG KAHN. Nico’s tying up the inks and tones for the interior over the next month and a half but I have to finish the cover and solicitation before February so that we can get it into catalogs and such.
I really enjoy designing my books, as it lets the graphic designer in me truly own my book from soup to nuts… I designed the BROWNSVILLE jacket and the non-sequential portions (title page, jacket, bio page, etc) and I’m doing the same with KAHN. Nico illustrated the front and back, sent along a high-resolution TIFF file and now I’m just wrapping up the layout and endflaps… but still going back and forth on the front cover title treatment. I really like the first one, because it’s different and really fits in the overall design, but the second one is the standard centered that usually works better on bookshelves or on endcaps. I’ll probably go with the first, but feel free to comment here and try to convince me otherwise: