I’m looking forward to Invincible Days coming out this week. I wrote this book over a period of about 10 years so there are a lot of stories that didn’t make the cut. These are supplemental pages that I could quite fit in due to pacing issues. The book is divided into 4 sections each themed on a particular season. It is about growing up I use the change of seasons as a metaphor for the passage of time and the death of childhood.
INVINCIBLE DAYS by Patrick Atangan – in stores soon!
“Brownsville, the graphic novel I created for NBM Publishing with Jake Allen, counts influences from mafia films and novels, history and transcripts, and comic book creators ranging from Will Eisner and Jack Kirby to Alan Moore and Harvey Pekar. But Leone’s epic tale of friends, love, crime and time gets pride of place as the second great influence and inspiration behind the book, sharing the spot with Cohen’s book.”
Have a read and immerse yourself in one of the finest mob films ever made.
Greg McElhatton gives THE BIG KAHN a kickass review here.
“The Big Kahn is easily Kleid’s best work to date as a writer; it’s clever and gripping, and there are a couple of turns in the story as it heads towards the conclusion that genuinely surprised me even as they still made sense. This feels in many ways like a turning point in Kleid’s career, and I know I’m not the only one who is eager to see whatever Kleid’s next project is based off of the strength of this graphic novel. It’s a strong slice-of-life story that makes you think, and I’m happy with that. Highly recommended.”
Hey, I was interviewed this past week for the San Francisco Jewish Weekly’s Comix Friday column and the first part went live HERE. Next week, we expand on THE BIG KAHN in detail.
“If you do know what you’re doing, art can be a little more tedious than writing. I can write a 200-page graphic novel in three months. That same graphic novel will take an artist three years to draw. Plus, as an artist, working with a writer, you’re really trying to get the writer’s vision out there. And I know for myself, I’m the worst writer to work with, because I know exactly what I want on the page.”