Making Comics with Gerard Jones

Creating comics as everyone knows, is the integration of words and pictures. The craft of putting words and pictures on the page to tell a story sometimes takes more then one person. Of course comics grow out of the sweatshops of the lower East Side and the factory mentality so no one person is responsible for the ongoing flow of comics you usually see.  In the corporate “comics biz” writers dominate, mainly because they can edit and write since neither involves much time. It takes time to draw a page and artists are usually looked on as dumb laborers.

But that’s the jaded old person view of comics, when I was young and naive and starting out in 1985., I thought making comics was more like this-

jackStan

This is a back up story from Fantastic Four Annual 5 by Stan Lee and Jack Kirby. I must have been about ten when I read this in color. It’s probably when I decided to grow up and draw funny books for a living. This really wasn’t far off from the games and stories my friends and I made up on our porches in Cleveland Heights.

I was introduced to Gerard Jones over the phone, that pre-internet mode of communication. He had made a name for himself by making fun of fanboys and the biz in a print magazine, another ancient mode of communication. We talked plot a little bit, and then some football, then some politics, a little jazz, a little more jazz, even modern art . When we started about doing comics with Paul Klee imagery and superheroes,  I think I had finally found someone who had the right ideas about comics.

We didn’t smoke cigars or fight with swords, but coffee and plotting and talking was the bond. So for the pleasure of working together, the careful thinking he’s revealed in his actual books,  Men of Tomorrow and Killing Monsters he really was the first guy I thought of when it came to creating a graphic novel for Privacy Activism. Because I knew that it was a weird project and it was going to be lots of coffee to clarify it so we started drinking and talking and processing; what is privacy?

July: Badger/Jones: Carabella on the Run!

An action-packed suspenseful graphic novel on the hot topic of privacy in a world dominated by the internet and mobile connection is NBM ‘s star graphic novel in July being solicited in comics stores now:

NETWORKED: CARABELLA ON THE RUN
Mark BADGER, Gerard JONES
Some alien invasions are loud and bloody…some are quiet and friendly. The blue-skinned girl named Carabella thinks she’s escaping the oppression of her own world, but instead she’s exposing the earth to an invasion so soft and friendly that everyone welcomes it—until Carabella herself sees what’s happening and tries to make someone, anyone see that our websites, our cell phones, and even our shoes (yes, shoes) are being used to steal first the privacy and then the freedom of everyone on earth.
6×9, 128pp., full color trade paperback: $12.99, ISBN 978-1-56163-586-3

See previews but also you can read the whole thing online at Privacy Activism with whom we’re working on this hotly topical story. Need we introduce the famous duo of Mark Badger and Gerard Jones?

Also in July from the mad mind of Greg (Vatican Hustle) Houston:

ELEPHANT MAN
Greg HOUSTON
Baltimore has a great hero. He’s always there just when he’s needed to thwart crime! This marvel is Elephant Man. Yes, none other than the deformed and hideous man himself! But such power and the adulation that follows it begets much jealousy. Before you know it, one of the city’s best known TV anchors, ‘handsome’ Dick Denton and another hideous being fused by some radioactive accident: the Priest, The Rabbi and The Duck, come together to seek his demise and ridicule him in public! Will Elephant Man overcome this new challenge? Another hilariously silly exercise in grotesquery, spoofing superheroes, from the acclaimed brilliant artist of Vatican Hustle.
6×9, 80pp, B&W trade pb., $9.99, ISBN 978-1-56163-588-X

See previews

From Eurotica that month, the next Noe:

PIN-UP ARTIST
Noe
The best-selling author of Convent of Hell and the Piano Tuner brings us to an exhibition of the great pin-up artist Gil Spam. He’s now a very old man in a wheelchair who can’t even speak, taken care of by his lovely niece. Chapter by chapter we get to discover the real dirty story behind each wonderful slightly naughty famous piece being exhibited. How could such charmingly risqué paintings have been inspired by such utter lechery and sexual abandon? Noe delivers another raunchy, funny and beautifully painted story.
81/2 x 11, 64 pp., full color trade pb., $13.99, ISN 978-1-56163-587-1

Pre-order all these at your comic bookstore now or online right here.