In Etienne Davodeau’s Lulu Anew, the main character Lulu goes on a journey of self-discovery, abandoning her husband and children for no other reason than getting away from the grind and being taken for granted with no other plan than savoring it.
Here’s what some critics are saying about the book:
“Skillfully unsentimental characterizations, light and earthy watercolors, and everyday goings-on reveal a familiar recognizable world, but Davodeau merges these elements into an enchanting realism…Davodeau’s brilliance is connecting it all into a deeply affecting story about how we seek to change our lives.”
From Hubert & Kerascoet, the team behind Miss Don’t Touch Me, comes Beauty, an engrossing tale for grown-ups on the nature of beauty, both fascinating and corrupting.
When Coddie unintentionally delivers a fairy from a spell that held her prisoner, she does not realize how poisoned the wish is she gets in return. From repulsive and stinking of fish she becomes perceived as magnetically beautiful, which does not help her in her village. A young local lord saves her but soon it becomes apparent her destiny may be far greater…
Here’s what people are saying…
“Beautifully illustrated with Kerascoët’s magical, dreamy, richly coloured art, Beauty is set to be one of 2014’s comic highlights.”
“Set in the Paris of the 1930s, alternating between the glitzy and the very gritty, this dark and disturbing tale is both a fantastic noir and a tense exploration of various societal themes like class, inequality, political corruption, and most of all the staggering depravity of the elite. Inspired by racy classics like The Story of O, but somehow much more readable, this smart coming-of-age shocker is irresistible.”
This book should be in the library of every comic book fan. It provides an excellent history, hitting the high (and view-changing) points. This book will help you speak knowledgably on the subject. Even if you’re not an avid comics fan and /or only like a small segment of things under the umbrella of “comics,” this history is interesting and insightful.
The book delves into the case and examines all the potential suspects, reading like a police procedural…Don’t be put off by this low-key presentation. The events, motives and individuals will leave you trying to solve this mystery.
Durieux makes the Louvre a fantasy world, where anyone can be anyone else, and the artwork helps with the whimsical tone he’s going for – despite the old man’s age and fears, the book never becomes too dreary…It’s a charming comic, though, one that gets under your skin more than you might expect, and it’s a nice story of two people searching for something new. Whether they find it or not is for you to discover.
This was a very entertaining book, maybe my favourite of the series. It does a great job of evoking the era, outlining the issues involved and keeping it all a good read as well, and Geary’s art has been consistently excellent for decades.
It’s a great story of two people who willingly decided to venture outside of their comfort zones and find out more about something they knew little about–and as a result, found more in common with each other than they thought possible. It’s an examination of how we are when we love something we’re dedicated to, and it’s engrossing in a way that invites you to just sit, relax, and take it all in after an exhausting day.
“This is a fantastic work which illuminates just how similar the approach to being successful in any artistic field is, really. Yes, you need talent and an eye for your subject, yes you need hard work to produce the goods, but you also need passion.”
Hard work and passion truly are two of the cornerstones of creativity, but this book resonates even beyond that.
Our headline comes from a review from Jameson Fink, a name likely unfamiliar to comic readers, but wine connoisseurs know. He is considered one of “The 9 Most Important Wine Bloggers in the US” and his site was a finalist for the 2012 “Best Overall Wine Blog.”
He recently reviewed The Initiates on his site and had this to say:
“The Initiates illustrates the rewards of remaining curious and thoughtful when it comes to your life’s work, and what you can learn from others by listening and observing. Sometimes it may involve pruning shears and a vine; other times, a pen and paper. For anyone looking to break out of their personal and professional comfort zone, The Initiates is a well-illustrated inspiration.”
“The timing of this book couldn’t be better, speaking as it does to what the citizens of a well-off community value, and how they shirk social responsibility. The lesson is plain, yet sensitively and elegantly rendered.”
“Wilde’s beloved allegory is beautifully and smartly adapted by master craftsman Russell…The tale of the lifeless boy and the faithful avian is conveyed sweetly and with great heart.”
The Miami Herald on The Fairy Tales of Oscar Wilde:The Happy Prince
“P. Craig Russell has taken an interesting approach to illustrating this tale: he includes all the text from Wilde and adds a visual element to enhance and compliment that text…It’s his classic and timeless art style that elevate and enhance this story so well. It’s worth noting that Russell does everything on this book: layout, design and lettering along with the art. A meticulous artist who doesn’t do anything without a reason.”
“I first read the prose in my late teens and it’s stayed in my heart ever since. Here P. Craig Russell has done wonders with the work, his fine, clean line lit with lambent colours. I even love what he’s done with the speech bubbles linked to their square-boxed, qualifying commentary. More than anything, though, his art here is the ultimate essay in tenderness.”
“Dilles’ engaging cartooning style is a bod to Krazy Kat, and he paces the book with a categorial whimsy that is simultaneously well-plotted and fanciful.”
Comic Buyer’s Guide on Bubbles & Gondola
“Despite the whimsical drawing and fanciful setting, one can’t help but feel that this is an intensely personal book for Dillies. This isn’t simply a book about writer’s block, but about a specific kind of aspiration and the blocks against that aspiration.”
“Despite focusing on two young girls, this is a very adult book. There are strips making jokes about the theory of relativity, adult toys, violence, and alcoholism. The twins’ mother’s sexual frustration and odd ways of coping with that frustration is a major storyline throughout the collection. The book derives a lot of its humor from the ridiculousness of seeing 8-year-olds make jokes about adult topics, such as the Neo-Nazi classmate who says the Holocaust never happened or when Kinky and Cosy have drinks in a bar with some aliens…The plotline involving the mother falling in love with the recycling bin, for example, was a bit too out there.”
Billed as an adaptation of the classic radio show (with no other story credits), veteran editor and artist Colòn conducts a virtual art clinic here, showing his deep mastery of composition, design, figure drawing, expression, use of blacks and more in this collection of hoary guilty pleasures and cheap thrills. Throughout, his art is in service to the storytelling, creating clear narratives with tension and emotion. It’s nothing more (or less) than solid entertainment.
With the edgy, graffiti-swathed New York of 1984 as its stage, “The Year of Loving Dangerously” tells the rousing coming-of-age story of the now renowned political cartoonist in the year his life fell apart.
By Tommy Hill
Published Thursday 19 November 2009 07:24pm EST.
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For the cockeyed Columbia student who took his acceptance letter as a one-way ticket to the upper crust, Ted Rall’s autobiographical graphic novel “The Year of Loving Dangerously” is a wake-up call. With the edgy, graffiti-swathed New York of 1984 as its stage, the full-color memoir, to be released next month by Nantier, Beall, Minoustchine, tells the rousing coming-of-age story of the now renowned political cartoonist in the year his life fell apart.
Long before he became an award-winning journalist and artist, Rall was a dedicated Columbia engineering student, committed to the grueling undergraduate marathon of interminable nights holed up in Butler, striving for the inevitable six-figure paycheck at the finish line. In the work, however, the young Rall is sidelined by a freak medical condition, forcing him to miss his exams in the first semester of his junior year. A series of unfortunate accidents over the course of the next few months sees him arrested, fired, broken up with, expelled, and evicted. In the blink of an eye, Rall is booted from his high-flying life in the Ivy League and comes crashing down on the mean streets of a still gritty New York. Suicide looks like a welcoming exit.
“The message I wanted to get out there in this book,” Rall said, “was that this could happen to anyone.” But as depressing as its premise is, “The Year of Loving Dangerously” is no mere sob story. As the title implies, Rall’s is also a tale of freewheeling sex and endless lusty exploits. The homeless, desperate Rall discovers very early on that sometimes a comfy bed is just a smooth grin away. He becomes, in effect, a gigolo—“For day after day, week after week, and month after month, I ended up crashing at women’s apartments.” What started as a hopeless nightmare turns into a gripping adventure that is at once a steamy quest and a struggle for survival.
Working alongside renowned illustrator Pablo Callejo, Rall has created a work that is as visually striking as it is emotionally moving. The intricately detailed panels, many of them based on photo records of New York at the time, vividly reconstruct the context of Rall’s most trying year in all its grimy, punky detail. Illustrations of Rall in his old haunts—bars, record stores, underground concert halls, and Columbia’s campus—are as rich and evocative as photographs.
By the story’s end, Rall has managed to piece his life back together. With a job and a place of his own, seducing women has lost its existential urgency. But, as Rall assured, “The Year of Loving Dangerously” is not the whole story. “This is only the first part of what’s going to be a ‘sex, drugs, and rock ‘n’ roll’ trilogy,” he said. “I’ve got a whole lot more to tell.”