NBM February 2018 Releases

Here are upcoming titles, now being solicited for a February 2018 release.

NEW!
BREAKING THE TEN Vol. 2
By Sean Michael Wilson and Michiru Morikawa

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David becomes increasingly more desperate, with his extreme behaviour causing fights with everyone who cares for him: with the devilish Mr Black and the saintly Mr White and even with his loving parents. But his quest goes on, driving him to break the rest of the 10 commandments in order to draw out the elusive divinity to face a grief stricken man. Until, finally, he is faced with the most serious commandment all: ‘Thou shalt not kill.’

Will he do it? Or will God stop him?

6×9, 112pp., B&W trade pb., $12.99,
ISBN 978168112117851299

RESOLICIT
BREAKING THE TEN Vol. 1
By Sean Michael Wilson and Michiru Morikawa

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When David loses his wife and child in a tragic car accident he decides, in anger at the cruelty of the event, to turn against God. He sets out to systematically break each of the Ten Commandments in order to both spite God and to get his attention! But will he go all the way, and break the commandment ‘Thou shalt not kill’? Two mysterious figures, Mr White and Mr Black, try to win David over to their side: the religious or the humanistic. Deeply sad in parts and comical in others, this modern story explores age old questions: Is there a God? And if there is, does that God care about us?

6×9, 112pp., B&W trade pb., $12.99,
ISBN 978168112021851299

RESOLICIT
NOIR THRILLER SET:
The Broadcast and Family Ties
By Eric Hobbs, Noel Tuazon

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Two thrillers in one engrossing set!

In The Broadcast, on the day of the historic broadcast of The War of the Worlds by Orson Welles which triggered panic in many places it sounded so real, a family in the countryside fears for its life and also has to deal with strangers and neighbors coming in for help. The tension brings to the surface long suppressed emotions and conflicts and a violent reckoning in a dark stormy night.

Hoping to secure a future for his children, an aging Alaskan crime boss in Family Ties looks to retire and divide his empire amongst his three heirs. But when his idealistic son refuses the inheritance, the old man disowns him. This turns out to be a fatal mistake when he sees his cold-blooded daughters use their new-found power and influence against him. Inspired by the classic play King Lear, The Godfather meets Shakespearean tragedy in this epic tale of betrayal and loss.

6×9, 388pp., B&W set of 2 paperback books, $27.99 
ISBN 978156163900752799

RESOLICIT
Fairy Tales of Oscar Wilde, The Complete Hardcover Set 1-5
By P. Craig Russell

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All clothbound jacketed volumes adapting Oscar Wilde’s compelling tales are assembled here with close to 200 pages of exquisite comics, including such classics as The Selfish Giant, The Happy Prince and The Nightingale and The Rose. Specially priced.

8 ½ x 11, full color clothbound set of 5 volumes, 192 pp., $79.99
ISBN: 978156163890157999

The Complete Paperback set 1-5
8.5 x 11, 192 pp, full color paperback set,192 pp. $39.99
ISBN: 978168112061453999

RESOLICIT
P. Craig Russell’s Opera Adaptations Hardcover set

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The great P. Craig Russell (Sandman, Coraline) adapts in stunning comic art The Magic Flute, Parsifal, I Pagliacci, Pelleas & Melisande, and Salome amongst others. A banded set of 3 beautiful volumes at a special price. Normally $75.

8x 11 1/2, 440pp. full color set of 3 jacketed hardcovers, $59.99
ISBN: 978156163755355999

Eurotica


RESOLICIT
SHADOW & LIGHT, VOL. 1
Parris Quinn
After the light of day, some people like to unwind in the shadow and let out steam in unusual ways. One man likes to be his woman’s slave, one woman dares her boyfriend to watch as she services a group of bankers, another gets a leash on her collar and lets her animal instincts run wild in front of her lover’s camera… Some of the most beautifully rendered erotic comics you will ever see, holding nothing back!
8 ½ x 11, 128pp. B&W, hardcover, $19.99,
ISBN 978156163715751999

RESOLICIT
SHADOW & LIGHT, VOL. 2
Parris Quinn
In anticipation of the long awaited new volume, this collects the rest of this series into a 2nd volume. What happens when Annie’s college friends come visit her while her parents are away and find out she has her own personal slave, a lusty MILF neighbor? They stay for a week! Plus more nasty stories of female domination. All confided to the artist author, a respected nude and landscape painter continuing to present artwork on an unprecedented high level.
8 ½ x 11, 104 pp., trade pb., $15.99
ISBN 978156163961851599


RESOLICIT
SHADOW & LIGHT, VOL.3
Parris Quinn
The bestselling stunningly rendered lascivious stories of kink ordinary people get into are back! From recording a wife doing it with a greatly endowed stud found through announcements to a couple revealing to a friend at a party their private vids of her submissive appetites, it’s all about fantasy being realized into steamy reality…
8 ½ x 11, 48pp, B&W trade pb, $12.99
ISBN 978168112039351299

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NBM in October: Street View, a beautiful accordion book.

Something unusual for October, a book you can fold-out all the way with a street scene, one side evolving by day, one by night. A visual treat!

Street View

STREET VIEW
Pascal Rabaté
A visually incomparable treat and a brilliant homage to Hitchcock’s Rear Window, this unusual accordion book opens in two directions. One, a series of ten tableaux on a street scene as it evolves during the day. The next on 10 evening tableaux of the same view. A window may serve as a source of light and fresh air, but it also presents a view onto the life of a street and its many other windows, each a separate scene of its own, with its multitude of on-going stories developing before your eyes. Within those windows, you can witness the lives of single people, couples, families, stories of love, separation and possibly even… murder.
8×11, 48pp, full color accordion book, hc, $27.99 9781561639083

 SEE THE PREVIEWS

Also this month:

NOIR THRILLER SET

NOIR THRILLER SET
The Broadcast and Family Ties
Two thrillers in one engrossing set!
In the Broadcast, on the day of the historic broadcast of The War of the Worlds by Orson Welles which triggered panic in many places it sounded so real, a family in the countryside fears for its life and also has to deal with strangers and neighbors coming in for help. The tension brings to the surface long suppressed emotions and conflicts and a violent reckoning in a dark stormy night.
Hoping to secure a future for his children, an aging Alaskan crime boss in Family Ties looks to retire and divide his empire amongst his three heirs. But when his idealistic son refuses the inheritance, the old man disowns him. This turns out to be a fatal mistake when he sees his cold-blooded daughters use their new-found power and influence against him. Inspired by the classic play King Lear, The Godfather meets Shakespearean tragedy in this epic tale of betrayal and loss. 
6×9, 388pp., B&W set of 2 books, $28.99 
9781561639007

 Previews

Meanwhile, back at EUROTICA, fresh out of SIZZLE magazine:
PRECINCT 69

PRECINCT 69
Carlos Jimenez

The hot men and women detectives of Precinct 69 have some unusual methods of getting crimes solved! Their weapons aren’t just big guns but their own amazing assets… A tongue-in-cheek cross between action-packed police procedural and steamy sex.
8 ½ x 11, 48pp. full color paperback, $12.99 
9781561639205

ALL SOLICITED FOR IN COMICS STORES NOW!

FAMILY TIES Review Round Up

Eric Hobbs and Noel Tuazon’s Shakespearean organized crime graphic novel, Family Ties, is their first work together since The Broadcast.  Here’s what the critics have to say.

Family Ties is a single volume graphic novel packed with tension and wrought with emotion, as well as more than a little violence. With all the hallmarks of the best mob movies, alongside the emotions of family dramas, Hobbs has crafted an engaging and original story.”

NJ.com

The best part about Family Ties, and the reason I’d recommend it, is the art, by Noel Tuazon, all black and white. And gray. Lots of gray. His figures and objects are mostly minimalist sketches, and the “coloring” is various shades of gray watercolor, which I, in my non-art history background, associate with traditional Chinese and Japanese nature paintings. Meaning that the story is just automatically moody and exotic-looking. But also, the black and white and gray formatting serves as a metaphor for the story morality: it’s not a world of black/white bad/good, but a whole bunch of people operating somewhere in the middle.”

Comics Bulletin

“A superb graphic novel that should appeal to students of Elizabethan drama and of grandiosely brutal gangster stories.”

Seattle Post Intelligencer

 

 

Family Ties: Why Alaska?

 

So this is a question I get a lot: why would anyone set a crime thriller in Alaska? Of all places, right? Well, there are a couple reasons…

The first is easy: I used to live there. Just as The Broadcast takes place in my backyard of Indiana, Family Ties takes place in a locale I know  well. I spent most of high school and my first year of college in a small town just outside of Anchorage. Just like Indiana, Alaska played a huge part in my life and is still the place I think of as “home.” There’s an old saying that authors should “write what they know.” Well, other than worlds of my own creation, I’ve never known a setting better than the two used in these first books with NBM.

Beyond that, Alaska is a great location for any story. But it’s particularly good for crime. Sound crazy? Well, stay with me. You see, the sixties in Alaska were a wild time. The closest thing to the Wild West since… well… since the Wild West. The oil boom brought people to Alaska in droves. They were promised a good living, and that’s exactly what a lot of them got. The city’s population exploded with hardworking men and women who suddenly had money to spend. But here’s the rub —  unless you’re an avid outdoorsman, there isn’t a lot to do in Alaska, especially come winter. Luckily, criminals were there fill the void. Gambling, prostitution, drugs — they were all prevalent in those boom years. In fact, there’s a great non-fiction book called Johnny’s Girl by Kim Rich that details the Anchorage underworld in the 1960s that I can’t recommend enough.

Now, Family Ties doesn’t take place in the 60s. Instead, it’s about a man who prospered in those years but struggles to find his way now that he’s behind the times and “Alaska went and got herself civilized.” But that doesn’t mean the location doesn’t play a vital role. In most good crime stories, the location becomes a character itself. Think about The Sopranos? Can you imagine that story unfolding anywhere but Jersey? What about the great crime movies Ben Affleck has directed over the last few years? Do any of those work outside of Boston? When you watch a movie like Untouchables you actually feel like you’re living in Chicago for those two hours. Hopefully, that’s what will happen as you read Family Ties. Hopefully you’ll put the book down and feel like Family Ties couldn’t have taken place anywhere else. Hopefully you’ll feel like you’ve been there…

*******

About the book:

Family Ties: An Alaskan Crime Drama

By Eric Hobbs and Noel Tuazon

Hoping to secure a future for his children, an aging Alaskan crime boss looks to retire and divide his empire amongst his three heirs. But when his idealistic son refuses the inheritance, the old man disowns him. This turns out to be a fatal mistake when he sees his cold-blooded daughters use their new-found power and influence against him. Inspired by the classic play KING LEAR, THE GODFATHER meets Shakespearean tragedy in this epic tale of betrayal and loss.

NBM in April: after ‘The Broadcast’, it’s ‘Family Ties’

Here’s what’s being solicited for April release in comics stores now.

From ComicsLit, the team behind the highly acclaimed The Broadcast is back with:

Family Ties
An Alaskan Crime Drama
Eric Hobbs, Noel Tuazon

Hoping to secure a future for his children, an aging Alaskan crime boss looks to retire and divide his empire amongst his three heirs. But when his idealistic son refuses the inheritance, the old man disowns him. This turns out to be a fatal mistake when he sees his cold-blooded daughters use their new-found power and influence against him. Inspired by the classic play KING LEAR, THE GODFATHER meets Shakespearean tragedy in this epic tale of betrayal and loss.
6×9, 208pp., B&W trade pb., $14.99, ISBN 9781561637294

see Eric’s blog posts on this.

and preview pages

NEW from EUROTICA:

Barbarian Chicks & Demons, vol.6
Hartmann
These warrior women know how to lead their cocky enemy on for just enough sex before gaining the upper hand. Whether it’s posing as a virginal initiate to a religious sect gone very rogue, giving in to pagan rites of the most lecherous kind or giving lessons to a virginal egghead, the action is heavy and the climax assured! The humorful beautifully painted stories of erotic barbariennes continues breathlessly.
8 ½ x11, 48pp, full color, trade pb., $11.99, ISBN 9781561638734

See more (click on the banner for this on the left)

PLACE YOUR ORDER AT YOUR COMICS STORE NOW!

 

What’s Next?

“I loved Broadcast, man. What’s next?”
I’ve heard that from comic fans a lot over the last few years.
Response to that first book was more than I ever could have hoped for. Reviews were great, fans enjoyed the work — Noel and I were thrilled. But as I started to hear that question again and again — I’ll admit, my nerves began getting the best of me. The Broadcast was my first published work. Noel had already developed a following of his own, but I was a relative unknown. Readers went into that book without any preconceived notions about me. But with a follow-up? A follow-up to a critical success? That would be different. That would bring something I hadn’t had on the first book: expectations. And expectations can be a very scary thing.
So that’s probably why it’s taken this new project some time to come to fruition. Noel and I have been busy, of course. He illustrated a brilliant comic called Foster. I wrote a short Batman piece for DC and published a kids’ series on Amazon’s kindle called The Librarian. We even did a short together in Dark Horse’s Once Upon a Time Machine anthology. That said, we were both knew eventually we were going to collaborate on another full-length graphic novel — we just wanted to make sure this new project was a worthy follow-up to the first.
Family Ties is about an aging Alaskan crime boss with dementia who is looking to secure his family’s future by dividing his empire amongst his three heirs. His cold-hearted daughters jump at the chance to take their spot at the head of the table, but his idealistic son refuses the inheritance. Fueled by his anger, the old man disowns his son only to realize he’s made a tragic mistake when his daughters use their newfound power and influence against him.
Sound familiar? It should — it is a retelling of William Shakespeare’s classic, King Lear.
In school, I struggled with Shakespeare like most kids — probably more than most, actually — but King Lear always resonated with me as a timeless story that was ripe for an update. Family issues are just as common today, after all.
Noel and I are still finishing up, but I’m going to do my best to get in here and post about the production of Family Ties; the struggles that come from trying to adapt Shakespeare; and how a family tragedy helped inform the book when, strangely enough, a member of my family was diagnosed with dementia shortly after I began writing the book.
In the meantime, if you enjoyed The Broadcast, I hope you’ll take a few minutes this week to tell your local comics retailer about Family Ties. It’s available in January’s Previews and is spotlighted on page 320.